Basara is a Japanese fantasy manga series written and illustrated by Yumi Tamura. The story takes place in a future Japan, reduced to a barren desert by a catastrophe at the end of the 21st century. The main character is Sarasa, a girl whose twin brother, Tatara, is prophesied to be the “child of destiny” who will bring back the country’s independence and stop the tyrannical rule of the Empire, namely the Red King. When Tatara is killed, Sarasa pretends to be him in order to keep the downtrodden from losing hope.
The manga was serialized in Shogakukan’s Bessatsu Shōjo Comic magazine from September 1990 to June 1998. Shogakukan collected the individual chapters into 27 bound volumes under the Flower Comics imprint from March 1991 to March 2000. The manga won the 38th Shogakukan Manga Award in the shōjo category in 1993. Viz Media licensed the manga for an English-language release in North America; they published 27 volumes from August 2003 to May 2008.
Basara was adapted into a 13-episode anime television series titled Legend of Basara, which aired in Japan from April to June 1998. It was produced by KSS and directed by Noburu Takamoto.
The manga was also adapted into several stage plays in Japan, the first of which premiered in 2012. A filmed performance was released on DVD in July 2013. The second stage play was performed at Theater 1010 in Tokyo from January 9 to January 14, 2014. The third stage play was performed at Kinokuniya Hall in Tokyo from January 25 to January 28, 2019.
In Basara’s post-apocalyptic setting, Japan has been controlled by a succession of corrupt and oppressive rulers of Saffron Clan. The current one is the Golden Emperor, a sovereign so obsessed with maintaining his power that he has had most of his children killed. He later appointed territories to the remaining children, allowing them to rule as subordinate kings and expend their energies in rivalries among each other, instead of trying to dethrone him. As a result, most of the Kings neglect the people they rule.
Though the peasants have been downtrodden for decades, they have not completely lost their rebellious spirit. Four swords named for the Ssu Ling gods—Byakko, Suzaku, Seiryū and Genbu—forged for fallen rebel leaders two generations past, are the symbols of underground resistance groups across Japan. The sword of Byakko is kept in Byakko Village, and according to a prophet, a child of fate who will lead a revolution will be born there. When twins are born—a girl and a boy—the prophet says that one of them is the child of destiny. Villagers believe the boy, Tatara, is the child of destiny, but ultimately the girl, Sarasa, is the leader. When the local ruler, the Red King, destroys her village and has her brother beheaded, she assumes his name and duty to lead her people in rebellion.
Sarasa undergoes psychological strain over having to pretend to be a boy. As such, she often visits hot springs to “let her hair down.” During these visits, she runs into a mysterious young man named Shuri, and they fall in love with each other.
Unknown to Sarasa, Shuri is really the Red King, upon whom she has sworn revenge for destroying her village and killing her family. The Red King is likewise unaware that Sarasa, in her alter ego, is the rebel leader he is trying to kill. As the story progresses, the pair’s relationship deepens even as their struggle becomes more bloody.