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Wednesday News- November 13, 2019

Wednesday News- November 13, 2019

Battle Angel Alita: Mars Chronicle Manga Takes 2-Month Break-

Katamari Damacy Creator Keita Takahashi’s Wattam PS4-PC Game Launches on December 17-

Pokemon Sword/Shield Games’ ‘Final’ Promo Video Streamed (Updated)-

Wolf Girl & Black Prince‘s Ayuko Hatta Launches New Manga on December 13-


  • Bungo Stray Dogs Seasons 1 & 2 BD
  • Gosick Complete Series Essentials BD
  • Izetta: The Last Witch Essentials BDA
  • Natsu no Arashi! BD
  • Radiant Season 1 Part 1 BD/DVD
  • Sailor Moon Sailor Stars Set 2 BD/DVD
  • Sailor Moon Sailor Stars Set 2 DVD
  • Shomin Sample Essentials BD
  • Spirited Away Collector’s Edition BD
  • Valkyrie Drive: Mermaid Essentials BD


  • 1122: For a Happy Marriage GN 2 (Digital Only)
  • Angels of Death Graphic Novel (GN) 8
  • Anne Happy GN 10
  • Arpeggio of Blue Steel GN 15
  • Blade of the Immortal Omnibus GN 10
  • Blue Morning GN 8
  • Chio’s School Road GN 6
  • Classmates GN 3.
  • Delicious in Dungeon GN 7
  • Don’t Count Your Tanukis GN 5 (Digital Only)
  • Farewell, My Dear Cramer GN 4 (Digital Only)
  • Fruits Basket Another GN 3 (Digital Only)
  • Freezing GN 13
  • Fruits Basket Another GN 3
  • Fullmetal Alchemist Fullmetal Edition GN 7 (hardcover)
  • Giant Killing GN 17 (Digital Only)
  • GUT’S GN 1-3 (Digital Only)
  • Hatsu*Haru GN 9
  • Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria GN 9
  • Kino’s Journey – The Beautiful World GN 4
  • Kiss and White Lily for My Dearest Girl GN 10
  • Love and Lies GN 8 (Digital Only)
  • The Magnificent Grand Scene GN 9 (Digital Only)
  • My Boyfriend in Orange GN 8 (Digital Only)
  • My Monster Secret GN 18 (Digital Only)
  • Nyankees GN 4
  • Our Wonderful Days GN 1
  • Overlord: The Undead King Oh! GN 1
  • Queen Bee GN 3 (Digital Only)P
  • Ran the Peerless Beauty GN 6 (Digital Only)
  • Record of Grancrest War GN 5
  • The Reprise of the Spear Hero GN 1
  • Requiem of the Rose King GN 11
  • RIN-NE GN 31
  • Sailor Moon Eternal Edition GN 6
  • Saint Seiya: Saintia Shō GN 8
  • Sekirei GN 10
  • Skeleton Knight in Another World GN 2
  • Skull-face Bookseller Honda-san GN 2P
  • A Tropical Fish Yearns for Snow GN 1
  • Tokyo Revengers GN 13 (Digital Only)
  • The Unwanted Undead Adventurer GN 1 (Digital Only)P
  • Witch Hat Atelier GN 4
  • You Got Me, Sempai! GN 7 (Digital Only)
  • Zo Zo Zombie (Zo Zo Zo Zombie-kun) GN 5


  • Arifureta Zero Novel 3 (Digital Only)
  • The Art of Splatoon 2 book (hardcover)P
  • Ascendance of a Bookworm Part 2 Novel 1 (Digital Only)
  • The Dirty Way to Destroy the Goddess’s Hero Novel 2
  • Dragon Ball: A Visual History artbook
  • The Greatest Magicmaster’s Retirement Plan Novel 3 (Digital Only)
  • Grimgar of Fantasy and Ash Novel 14 (Digital Only)
  • Infinite Stratos GN 10 (Digital Only)
  • Pokémon Shield Switch game
  • Pokémon Sword Switch game
  • Romancing SaGa 3 PS4, PS Vita, Xbox One, Switch, PC, iOS, Android game
  • So I’m a Spider, So What? Novel 7
  • Skeleton Knight in Another World Novel 4 (Digital Only)
  • Tokyo Ghoul:re Call to Exist PS4, PC game
  • Transformers: A Visual History artbook (hardcover)


Manga Monday- To Abandoned Sacred Beasts

Manga Monday- To Abandoned Sacred Beasts

To the Abandoned Sacred Beasts is a Japanese dark fantasy manga series written and illustrated by Maybe. The series is published by Kodansha in Japan and by Vertical in North America. An anime television series adaptation by MAPPA aired from 1 July 2019 to 16 September 2019.


Manga artist duo Maybe launched the series in the July 2014 issue of Kodansha’s shōnen manga magazine Bessatsu Shōnen Magazine on 9 June 2014. The series took a one-month break in August 2015 (it was not published in the September issue on 8 August) before resuming serialization in the October issue on 9 September 2015.

North American manga publisher Vertical announced their license to the series on 27 August 2015, scheduling the release of the first volume for May 2016. Before they selected the series’ current title, Vertical was originally going to publish the manga as The Abandoned Sacred Beasts.

Ten volumes have been released as of July 2019, and the first volume was published in English in May 2016.


The first volume of the series reached 39th place on the weekly Oricon comics rankings, with 22,468 copies sold; the second volume reached 31st place, with 18,638 copies sold; the third volume reached 39th place, with 28,018 copies sold; and the fourth volume reached 24th place, with 32,728 copies sold.


100 years after settlers on the continent of Patria established a democratic nation, the discovery of an energy source called Somnium ore sparked a conflict. The nation of Patria split between the industrial Northern Union and the mining towns of the Southern Confederation, and began fighting a civil war. While the South had greater numbers, the North had a secret weapon: The Incarnates, soldiers who could transform into giant mythical beasts and single-handedly destroy enemy emplacements. However, when the war ended and a peace treaty was negotiated, the Incarnates were supposed to be destroyed. Instead, an officer named Cain betrayed his superiors and fled with the surviving Incarnates across the continent. Two years later, an Incarnate named Hank has made it his mission to hunt down the surviving Incarnates, assisted by a young woman named Schaal who blames him for killing her father.


Film Friday- Galaxy Express 999

Film Friday- Galaxy Express 999

Galaxy Express 999 is a Japanese manga series written and illustrated by Leiji Matsumoto, later adapted into a number of anime films and television series. It is set in a spacefaring, high-tech future in which humans have learned how to transfer their minds and emotions with perfect fidelity into mechanical bodies, thus achieving practical immortality.

The manga won the Shogakukan Manga Award for shōnen in 1978. The anime series won the Animage Anime Grand Prix prize in 1981.

Matsumoto was inspired to create Galaxy Express 999 by the idea of a steam train running through the stars in the novel Night on the Galactic Railroad by Kenji Miyazawa.

Film versions

Galaxy Express 999

The film version of Galaxy Express 999, released in 1979. Maetel and Tetsuro again set out for the home planet of the Mechanized Empire, visiting four planets. Planet Maetel is a mechanized world where machine bodies are made.

Godiego performed the film’s theme song “The Galaxy Express 999”.

Adieu Galaxy Express 999

Adieu Galaxy Express 999 is a 1981 sequel to the film adaptation. Adieu presents an entirely new storyline which takes place three years after the destruction of Planet Maetel. The Machine Empire now has even more of a stranglehold over the Galaxy. Rumors are afoot of Maetel becoming its new Queen. Tetsuro, now a fifteen-year-old freedom fighter, is shocked when a messenger brings him news that the 999 is returning, and that Maetel wants him to board it. Tetsuro narrowly makes his way to the 999 and departs Earth, now a battlefield.

Although Tetsuro finds that Maetel isn’t present on the 999, he does meet Metalmena, a machine woman who has replaced the waitress Claire. Also, a mysterious Ghost Train has been traveling the universe and nearly crashes into the 999. The 999 then pouts about the humiliation of being overtaken by the Ghost Train. The 999 heads to the planet La Metal, portrayed here as the birthplace of Prometheum and Maetel. Here Tetsuro helps in the resistance, befriending a cat-like teenaged-boy named Meowdar. While exploring the ruins of an old castle, Tetsuro discovers a portrait of a beautiful, blonde queen who looks very much like Maetel. He learns that it is, in fact, La Metal’s Queen Prometheum, even though she looks nothing like she did at their last confrontation. As the 999 departs, Maetel finally makes her appearance.

Shortly after leaving La Metal, the 999 is forced to dock at a station where Tetsuro meets a mysterious machine-man named Faust. When Tetsuro attacks him, Faust causes Tetsuro to drop into a flashback where he must relive his mother’s death. The 999 continues on to the planet Mosaic, the last stop before Great Andromeda, capital of the mechanized empire. Here Tetsuro finds the Ghost Train and is nearly killed.

The 999 finally makes its way to Great Andromeda where Faust greets Tetsuro once more. Meanwhile, Maetel travels down to the center of the planet where Prometheum’s consciousness still exists. Maetel is put in charge of the mechanized empire, just as the rumors said. But, again, she intends to put an end to the operations, and attempts to shut Prometheum’s machinery down. She reveals the horrible truth to Tetsuro that the energy the machine people use is actually drained from living human beings, and that they were transported there by the Ghost Train. Tetsuro is shocked to find his old friend Meowdar among a pile of dead, drained bodies. Metalmena shows indifference to Meowdar’s death, until Tetsuro reveals the source of the energy she has been existing on. As a patrol of guards comes to arrest the group, Metalmena, disgusted and enraged by what she has learned, attacks and destroys them, apparently at the cost of her own life.

Prometheum proves that she cannot be killed with just the flip of a switch, and all seems hopeless. At about the same time, a space anomaly called Siren the Witch approaches Great Andromeda, attracted to its abundant energy and absorbing all machine energy. With Great Andromeda collapsing, the 999 is set to depart, but Tetsuro must face Faust one last time. After dealing Faust a fatal blow, it is revealed to Tetsuro that Faust is actually Tetsuro’s father (In the manga and television series, it is never made clear what became of Tetsuro’s father). The 999 heads back to La Metal where Maetel and Tetsuro separate for the last time, and “the boy [Tetsuro] becomes a man”.

Two songs written and performed by Mary MacGregor, ‘Love Light’ and the ending theme “Sayonara” were used for the film. Kumiko Kaori recorded a Japanese version of the ending song.

Helen McCarthy in 500 Essential Anime Movies called it a “dense, fascinating story”.

Maetel Legend

This two-part OVA from 2000 serves as a prelude for Galaxy Express 999 and explains the series’ backstory. Maetel, the protagonist, is the daughter of Queen Prometheum of the Planet La Metal (both from Queen Millennia), a wandering planet, and one of the first civilizations to have mechanized their bodies. As Queen Promethium becomes fearful of the natural decline of her people’s lifespan on their freezing world, which has fallen out of orbit, she decides to mechanize them all, in order to enable her people to survive the harsh climate. The complete series was released on DVD by Central Park Media.

Space Symphony Maetel

Following on from Maetel Legend, this 13-part OVA from 2004 reveals that the newly created machine people of La Metal began to mechanise galaxy after galaxy against the will of many humans, and ended up creating rebellions and revolutions. Maetel is asked to return to La Metal to succeed her mother, only to discover the many hardships her mother has inflicted on the humans.

In this series, Captain Harlock and Emeraldas (Maetel’s sister) also appear, and work together to assassinate Prometheum, along with Maetel. Parallels with Galaxy Express 999 are prevalent. Instead of a boy who wants a mechanized body meeting her, she met a boy who has a grudge against Prometheum and detests being mechanized.

The final lines of dialog reveal that this is a prequel to the 1979 film Galaxy Express 999.

Galaxy Railways: Letter From An Abandoned Planet

This OVA series was released from December 30, 2006 to January 5, 2007 (on SKY PerfectTV!) in Japan. The story takes place between Seasons 1 and 2 of Galaxy Railways: Crossroad to Eternity, and presumably after the events of Galaxy Express 999: Eternal Fantasy, where the Earth has since been destroyed. The OVAs featured Maetel, Tetsuro, and the Conductor, with their original voice actors from the Galaxy Express 999 television series.

For unknown reasons, this series started production earlier than Galaxy Railways: Crossroad to Eternity, but was aired much later.


  • Tetsuro Hoshino
    The main character of Galaxy Express 999, Tetsuro is a poor Earth boy who witnessed his mother die at the hands of Count Mecha. With his mother’s dying wish being for him to obtain a machine body, Tetsuro embarks on the Galaxy Express with Maetel. Tetsuro has also been mentioned in the new Captain Harlock: Dimensional Voyage manga.



  • Maetel:
    The mysterious blonde woman who accompanies Tetsuro on the Galaxy Express 999. Maetel is in actuality the daughter of Queen Prometheum, ruler of the mechanized empire. In the movie version, Maetel is responsible for bringing youths from around the universe to the mechanized homeworld where they are turned into mechanized human components to serve the mechanized empire, whereas in the television series, she is grooming them to grow up to become generals in her mother’s imperial military. Maetel is secretly plotting with her father, Dr. Ban (who is contained within the pendant around her neck) to destroy the machine empire, and finally does so (in the movie) when it is Tetsuro’s turn to be turned into a bolt. Maetel’s soul exists in the body of a human copy, which she occupies until it grows old and she exchanges it for a new one. It is explained in the movie version that she occupies a clone of the body of Tetsuro’s mother, which explains the resemblance between the two.


  • Conductor
    The Conductor is the main crew member of the Galaxy Express 999. He is an alien being with an invisible body; only his eyes can be seen while he is wearing his conductor uniform. The Conductor prefers to go ‘strictly by the book’ and frequently cites the Galaxy Express rule book, but occasionally ends up bending the rules and getting into adventures with Tetsuro and Maetel.


  • Claire:
    The dining car waitress on the 999, Claire has a machine body made of clear crystal glass. Unlike others who gave up their humanity by choice, Claire was forced into this existence by her vain mother. She works on the 999 in order to save up enough money to buy back her human body, which is stored on Pluto.[7] Claire quickly befriends Tetsuro and sacrifices herself for him when a hallucination taking the guise of his mother tries to pull him out of the train. Her body is shattered, all that remains is a single glass tear which Tetsuro holds with him as a memento.[7] In the movie version, Claire has a somewhat larger role, but suffers the same fate, sacrificing herself for Tetsuro when Prometheum tries to kill him (a machine girl named “Mirai” (“Future”) has this role in the television series). Claire returns to life in both Eternal Fantasy and the new Galaxy Express manga published by Matsumoto in the 1990s.


  • Captain Harlock:
    Famous space pirates who are idolized by Tetsuro. Both have only minor cameos in the original manga and television series, but have significantly larger roles in the movies and assist in defeating the machine empire.


  • Antares:
    A well known bandit who sneaks aboard the 999 after their stop on the planet Titan. Antares despises machine people for the death of his wife and has many unexploded bullets lodged within his abdomen. He warns Tetsuro to “shoot first, ask questions later”.[9] In the manga and television series he lives in a large home with his many children; in the movie he lives on Titan with other bandits and many children orphaned by Count Mecha. In the movie version he assists Tetsuro in his quest to kill Count Mecha at the Time Castle, and is killed when the bullets in his body explode after taking multiple shots from the Count.


  • Count Mecha:
    The wealthy machine man who murdered Tetsuro’s mother. In the manga and television series, he is a minor aristocrat, and is killed by Tetsuro before he leaves Earth. In the movie version he appears to have considerably more power, and rules the Time Castle. Acquiring a machine body to get revenge on Count Mecha is Tetsuro’s primary motivation in the movie version, and he accomplishes his goal with the assistance of Antares while on the planet Heavy Melder.


  • Queen Prometheum:
    Maetel’s mother, and ruler of the mechanized empire. Once a gentle woman, Prometheum created the machine empire believing it would be good for humanity. Prometheum has considerably difference physical characteristics in each of her appearances, appearing as a humanoid in the television series and movie, and a two-faced head in the manga. Prometheum is destroyed with the destruction of Andromeda in the manga and television series, and killed by Claire in the movie version. Her spirit occupies the planet Great Andromeda in Adieu Galaxy Express 999 but perishes when that planet is destroyed by Siren the Witch.


Manga Monday- Galaxy Express 999

Manga Monday- Galaxy Express 999

Galaxy Express 999 is a Japanese manga series written and illustrated by Leiji Matsumoto, later adapted into a number of anime films and television series. It is set in a spacefaring, high-tech future in which humans have learned how to transfer their minds and emotions with perfect fidelity into mechanical bodies, thus achieving practical immortality.
The manga won the Shogakukan Manga Award for shōnen in 1978. The anime series won the Animage Anime Grand Prix prize in 1981.
Matsumoto was inspired to create Galaxy Express 999 by the idea of a steam train running through the stars in the novel Night on the Galactic Railroad by Kenji Miyazawa.


Anime and manga

An impoverished ten-year-old named Tetsuro Hoshino desperately wants an indestructible machine body, giving him the ability to live forever and have the freedom that the unmechanized don’t have. While machine bodies are impossibly expensive, they are supposedly given away for free in the Andromeda Galaxy, the end of the line for the Galaxy Express 999, a space train that only comes to Earth once a year.

The series begins with Tetsuro and his mother making their way to Megalopolis where they hope to get jobs to pay for passes for the 999. Along the way, however, Count Mecha and a gang of “human hunters” kill Tetsuro’s mother. Before she dies, she tells him to continue the journey they started, and to get a machine body to live the eternal life she couldn’t. Tetsuro tries to forge on toward the city alone, but is quickly overcome by the brutal cold and wind. As he succumbs, he cries out an apology to his mother for failing to fulfill her wish, and hopes that in his next life he will be born as a robot to begin with.

Tetsuro is surprised to awaken by the fireplace in the home of a beautiful woman, Maetel, who is the spitting image of his dead mother. Maetel tells him she had heard the entire incident with a long-range directional microphone she had been idly scanning around the area with. Maetel offers him an unlimited use pass for the 999 if he will be her traveling companion, to which Tetsuro agrees. She provides him with a gun and directs him to the Count’s residence, telling him that the Count and his henchmen will be too distracted with their revelries to defend themselves against a surprise attack. Tetsuro bursts in on them in their meeting hall and cuts them down with a spray of gunfire. With the Earth police in hot pursuit, Tetsuro and Maetel flee the planet aboard the 999.

Along the way, Tetsuro has many adventures on many different and exotic planets and meets many kinds of people, both human and alien, living and machine. Increasingly, Tetsuro realizes that a machine body won’t fix all of his problems. In fact, most of the machine people he meets regret the decision to give up their humanity.

Eventually, Tetsuro and Maetel reach the Planet Prometheum, the final stop for the 999. He is shocked by the cruelty and indolence of the machine people there, and witnesses a mechanized human committing suicide, an event to which the others react with scoffs and derision. He asks the dying man why he wished to end his life, and is told that eternal life on Prometheum is utterly empty of joy or purpose. When Tetsuro mentions the name of his traveling companion, the man is horrified and tells him that Maetel is in fact the daughter of Queen Prometheum, the supreme ruler of the Machine Empire, and that she is thoroughly untrustworthy. Testuro is outraged at having been kept in the dark and rushes off to confront Maetel. Maetel is at a loss for words, but a government spokeswoman inserts herself into their conversation and begins giving answers on Maetel’s behalf. Tetsuro is not impressed and he storms off in a blind fury.

Tetsuro doesn’t understand why he has been betrayed by Maetel, but Maetel has plans of her own, and seeks to destroy the mechanized civilization. With the help of her father, Dr. Ban (only named in the film), whose consciousness resides in a pendant she wears around her neck, Maetel destroys her mother and the planet. Afterwards, Maetel and Tetsuro return to the penultimate station on the Planet of Bats where Tetsuro tells Maetel his intention to return to Earth and lead it toward a new future.

Maetel, proud of Tetsuro for his decision to reject mechanization, tells him she has something to take care of and that he should board first. However, Tetsuro finds a letter from Maetel telling him that it was time for them to part ways. Maetel had secretly boarded the 777 (three-seven), a nearby train, with the intention of “leading another boy to his future”. However, it is unclear as to whether or not this means that the Mechanization Empire still exists elsewhere, or if Maetel will lead the boy to some other “future”. The series ends as the trains both depart the Planet of Bats.

New manga series and Eternal Fantasy

In 1996, Matsumoto began a new GE999 series, set a year after the original, in which the Earth is destroyed and Tetsuro sets out to discover the source of the “darkness” that threatens all life in the universe.

The film Galaxy Express 999: Eternal Fantasy was released in 1998. This film takes place one year after the events of the Galaxy Express 999 TV series and is the third film in the series, where Maetel and Tetsuro reunite to save the universe again from another evil. It also serves as a link between this film and The Galaxy Railways.

The Alfee performed the theme song “Brave Love: Galaxy Express 999 / Beyond the Win”.

Also, Space Battleship Yamato, from the Japanese show of the same name and the English version Star Blazers, which are both Matsumoto creations, makes a cameo appearance

The manga has been partially published in English by Viz.

Film Friday- Hamatora

Film Friday- Hamatora

Hamatora is a Japanese mixed-media project. The project began with a manga series written by Yukino Kitajima and Yūki Kodama as the character designer, while Yū Wazu is adapting the design to the illustration. The manga, Hamatora: The Comic, started serialization in Shueisha’s Young Jump magazine in November 2013. An anime television series, Hamatora: The Animation, by the studio NAZ premiered on TV Tokyo and ran for twelve episodes between January 8 and March 26, 2014. It was followed by a second series by Lerche starting in July 2014, Re:_ Hamatora. Additionally, a role-playing game titled Hamatora: Look at Smoking World developed by FuRyu was released in July 2014. Other related titles include a light novel and a stage play.

The series takes place in the year 2014 when selected humans called Minimum Holders have been discovered to possess supernatural abilities. The story focuses on Minimum Holder Nice who forms a detective agency called “Hamatora” based in Yokohama and he starts gathering a large number of allies such as his partner Murasaki and assistant Hajime as well as enemies including several criminals. The anime stars Ryōta Ōsaka, Wataru Hatano, Hiroshi Kamiya, Emiri Katō, Kiyono Yasuno, Jun Fukuyama, and Yuichi Nakamura among others.

The series has earned mixed criticism from publications for manga and anime. While the elements of mystery have been praised, the themes and animation have been less well received. It has also been often compared with X-Men for its plot and characters.


An anime adaptation titled Hamatora: The Animation was announced in the 2013 50th issue of Shueisha’s Young Jump magazine. The anime is produced by NAZ Animation Studio of Japan and began airing on TV Tokyo on January 8, 2014 with later airings on TVA, TVO and AT-X. While the anime ended on March 26, 2014, it has been hinted it would return in July 2014. The second season is to be titled Re: Hamatora Unlike the first season, it will be produced at Studio Lerche.

The anime is chiefly directed by Seiji Kishi. In addition, Hiroshi Kimura is also directing the anime, along with series composers and script writers Jun Kumagai and Touko Machida. The soundtrack music is composed by Makoto Yoshimori. Character designs are done by Yū Wazu, based on the original character designs by Blood Lad’s Yūki Kodama along with art direction by Fantasista Utamaro. The project was composed by Yukinori Kitajima. The story is set after the events of the manga, focusing on the already formed group of detectives known as Hamatora.

The series was simulcast-streamed by Crunchyroll with English subtitles in North America, Australia and other select parts of the world. Avex Group began releasing the series in Japan on Blu-ray and DVD volumes starting on April 25, 2014. The opening theme is “Flat” by Livetune feat. Yūki Ozaki. The ending theme is “Hikari” by Wataru Hatano.

There is also a radio program titled Hamatora From Cafe Nowhere where voice actors often interact. In March 2015, a film and a new television series were announced

Sentai Filmworks has licensed the first season for digital and home media release. The first season was released on Blu-ray and DVD on September 22, 2015 with both English and Japanese audio and English subtitles. Sentai Filmwworks has also licensed the second season for digital and home media release. The second season will be released on Blu-ray and DVD on January 26, 2015.

Video game

The game takes place in a port town of Kobe.

A Nintendo 3DS game developed by FuRyu titled Hamatora: Look at Smoking World was announced in December 2013. It was released in Japan on July 17, 2014. Directed by Shuuhou Imai, the game resemble the Tokyo Majin Gakuen role-playing game series. The combat is a turn based and require to input different commands to execute the Minimums. It takes place in the same fictional setting as both the Hamatora manga and anime but featuring a new story. It was made so that newcomers to the franchise will have access to it.

Set in a port town of Kobe, the protagonist is a transfer student named Souken who awakens his own Minimum and starts participating in fights against other students. Certain shopping districts were modeled after real-life areas, which the player will be able to see in stereoscopic 3D. The main cast from the Hamatora anime and manga series is also set to appear in the game. Preorders of the game include a Honey IC Sticker Card, that was designed using Honey’s tablet from the anime as a motif.

Stage play

In August 2014, the production company Eigeki ran a Hamatora play for 12 performances from August 16 to August 24 at the Haiyūza Theater Roppongi in Tokyo. Titled Hamatora The Stage: Crossing Time, the play focused on the Hamatora team aiding Art in solving a murder case.


A novelization titled Hamatora the Novel by Kenichi Fujiwara was to be published by Shueisha in July 2014.


The impulsive founder of the detective agency “Hamatora”, Nice works in the manga as the only detective with Hajime’s help whereas in the anime he is the half of the “Minimum Holder PI duo” along with his partner Murasaki. He is a former member from an academy of Minimum Holders who left to start a life as a detective, obtaining several allies. He is constantly in need of money, partly due to the fact that he does not care about the cost of a job request more than what it entails. He is a bit absent minded at times and rarely acts like his age.
Despite his seemingly carefree nature, Nice is a genius thinker and able to quickly assess information. He always wears a set of headphones around his neck which he uses to activate his Holder ability, known as Sonic Minimum in the anime and Cannon Ball in the manga, allows him to move at the speed of sound. In Re: Hamatora, using the Minimum causes a strain in his body. He is the top-ranked graduate of the Facultas Academy and went there alongside Art and Skill. His existence is regarded as classified information. He tried to abandon that place alongside Hajime in order to see the world, but was shot in the process; his life was saved by Moral, who transplanted Skill’s heart into Nice’s body, saving his life, and left shortly afterwards to discover Hajime has amnesia. He detests the academy due to how it judges people based on whether or not they have power and believes power should not be necessary to determine one’s worth. In the finale it is revealed Nice has Skill’s heart as well as his Minimum, allowing him to grant others Minimums.
The rather reserved other half of the “Minimum Holder PI duo” along with his partner Nice. He is originally an agent of Facultas sent to capture Nice, but ended joining him. He is a rational thinker and unlike Nice, prioritizes the cost of a job request over content. He has a bit of an existentialist outlook on things. His Holder ability known as Gravity Minimum in the anime and All or Nothing in the manga, is activated when he removes his glasses and greatly hardens his body, giving him super-human like strength. Using the Minimum in Re: Hamatora weakens his body. He is a prodigy who is ranked second among the Facultas Academy graduates. He dislikes how Nice always manages to surpass him and wishes to defeat him once in order to be acknowledged by him. In Re: Hamatora, Murasaki tries confronting Art but gets beaten up by Freenum. While he survives, his Minimum disappears, and returns to the group. In the finale, he recovers his Minimum.
Hatano has commented that while the series its share of comedy, there is also drama in some parts of the story that could result in the viewer becoming emotional. He compared the series with a festival due to the viewer’s feelings. He added “The story will be followed with that feeling, what end will be met the complex case intertwined.”
A gluttonous girl who spends most of her time at the Nowhere Café. In the manga, she is Nice’s only ally and accompanies him to all of his cases. She is one of Hamatora’s founders. She suffers from memory loss. Hajime is a test subject from Facultas. She was the first person to survive to a certain experimentation by Moral and was kept in the secrets. In Facultas, she met Nice who named her as she was simply known as “success No.01” and invited her to see the world alongside leaving the academy.
Her Holder ability, while initially unexplained, makes her a strong combatant and is said to be able to rival Nice. Her Holder also heals her wound and is able to unleash a berserk state. By Re: Hamatora it is revealed the Minimum is known as the Nihilist Minimum triggered by despair which was first activated by seeing Nice nearly dying. It has the power of nullifying every other Minimum around her which cause her friends to go through sideeffects of their powers until they will lose it.


Manga Monday- Hamatora

Manga Monday- Hamatora

Hamatora is a Japanese mixed-media project. The project began with a manga series written by Yukino Kitajima and Yūki Kodama as the character designer, while Yū Wazu is adapting the design to the illustration. The manga, Hamatora: The Comic, started serialization in Shueisha’s Young Jump magazine in November 2013. An anime television series, Hamatora: The Animation, by the studio NAZ premiered on TV Tokyo and ran for twelve episodes between January 8 and March 26, 2014. It was followed by a second series by Lerche starting in July 2014, Re:_ Hamatora. Additionally, a role-playing game titled Hamatora: Look at Smoking World developed by FuRyu was released in July 2014. Other related titles include a light novel and a stage play.

The series takes place in the year 2014 when selected humans called Minimum Holders have been discovered to possess supernatural abilities. The story focuses on Minimum Holder Nice who forms a detective agency called “Hamatora” based in Yokohama and he starts gathering a large number of allies such as his partner Murasaki and assistant Hajime as well as enemies including several criminals. The anime stars Ryōta Ōsaka, Wataru Hatano, Hiroshi Kamiya, Emiri Katō, Kiyono Yasuno, Jun Fukuyama, and Yuichi Nakamura among others.

The series has earned mixed criticism from publications for manga and anime. While the elements of mystery have been praised, the themes and animation have been less well received. It has also been often compared with X-Men for its plot and characters.


A manga series, Hamatora: The Comic, written by Yukino Kitajima and illustrated by Yūki Kodama began serialization in Shueisha’s Young Jump magazine in November 2013. Its first tankōbon volume was released on February 19, 2014. The series is a prequel to the anime and focuses on Nice solving cases with Hajime while Murasaki works on bringing Nice back to the Facultas Academy.


The series takes place in Yokohama.

The story of Hamatora revolves around a 17-year-old teenager called Nice, who runs a private investigation agency called ‘Hamatora’ in Yokohama, Japan with his partners Hajime and later, Murasaki. In the world there is the existence of Select humans called Minimum Holders (ミニマムホルダー Minimamu Horudā) have been discovered to possess supernatural abilities known as ‘Minor Miracles’ or ‘The Minimum’. These people are trained in the Facultas Academy to develop their potential, and are given highly advanced classes and training to do so. As a result, those who graduate from Falcultas are given extreme benefits and privileges that enable them to be highly successful in life, such as being entitled to any job or career they want with ease. The existence of minimums and minimum holders is kept extremely confidential and secretive from the general population of the world.

The events of Hamatora The Comic takes place in the year 2013, with Nice having left Falcutas academy early in his first senior year. Due to Nice both being a genius and a prodigy, Murasaki, the second highest ranked graduate from Falcutase, is tasked with the mission of bringing Nice back to Falcultas by any means necessary. As Murasaki first meets Nice, his impressions of him leave Murasaki feeling insulted and angered that someone as easy going and immature like Nice could be superior to him. As Murasaki observes Nice on his jobs though, Murasaki finds himself assisting Nice and comes to see the potential Nice actually possesses as well as acknowledging his genius. He also dwells on Nice’s views on Falcultas’ workings and his opinion of how people with minimums are not slaves and are free to live their lives responsibly.

During the job where Sayuri Akatasuki requests for Nice and to rescue her sister Shizuku, a Minimum Holder who can generate fire, from a criminal family. Nice and Murasaki finish their job but Murasaki is tasked to leave Nice and to take Shizuku back to Facultas as part of the academy’s dark dealing with the mafia family. As Murasaki takes Shizuku to Falcutase, Nice, Hajime and Sayuri are attacked by Falcutas and the Hamatora office is destroyed. As Murasaki hands over Shizuku, he struggles on the decision he made and ends up trying to rescue Shizuku from Falcutas. Nice, who managed to save himself, Hajime and Sayuri before defeating the Facultas agents, ends up saving Murasaki, but during the confrontation with Falcutas and the mafia family, Shizuku apparently dies. In the week that follows, It is then revealed that Shizuku survived and faked her death so that she and Sayuri can live a new life without fearing her Minimum or Falcultas and the Mafia Family. Murasaki has since left Falcultas and has joined Nice as a Hamatora P.I. which is now located in Cafe Nowhere along with Birthday and Ratio’s ‘Odd Jobs’ Business and Honey and Three’s Bodyguard business.

During the anime, Murasaki has joined Nice as a Hamatora P.I. now based in the Cafe Nowhere in Yokohama where they prefer to sit around all day with their friends and wait for clients. During their Jobs, Nice finds similarities in the working of several crimes he investigates and the existence of non-innate Minimum Holders; people who possess a Minimum but where not born with it. Nice and Murasaki are warned by their friend, Art, a non-Minimum Holder who still managed to graduate from Falcultas, about a Minimum Holder serial killer who extracts the brains to create more Minimum Holders.

The culprit is Moral, a former professor from the Facultas Academy who wishes to give everybody Minimums in order to achieve equality. For this, he has to kill several Minimum Holders and use their brains to create a substance he calls ‘essence’ that enables him to create 24 non-innate Minimum Holders for every Minimum Holder brain he possesses. While his overall purpose in this is to create equality, what Moral truly wants is to save Nice, as he believes that Nice is tortured by solitude as he is the number one student of Falcultas, also calling him the accumulated wisdom of humanity, and therefore has no equal.

Moral kills Art and starts assuming his identity to dismiss the Hamatora from the case. He starts a riot in order to expose the existence of Minimum Holders, and Momoka also leaks information exposing the existence of Facultas Academy and Minimum Holder identities, causing a disturbance in society as normal people treat Minimum Holders in a hostile manner while Minimum Holders fight back to ensure their right to exist. After discovering Moral took Art’s face, Nice confronts him in person to get revenge for his best friend’s death. The two face off in a ship that Moral is using to perform terrorist attacks on non-Minimum Holders. As Nice defeats Moral, the murderer is killed by a resurrected Art. As revealed in Re: Hamatora, Art survived Moral’s attack thanks to Regeneration Minimum and has since been collecting new abilities. He becomes the leader of a gang called Freemum composed of Minimum Holders who are against the Minimum Agency. Using Freemum and Momoka, Art succeeds in leaving Nice as his only potential enemy. He tries killing Nice to trigger Hajime’s Nihilist Minimum which erases all Minimums in Yokohama. Shortly afterwards, Nice is revived by the powers of Art’s late brother, Skill. His heart had been transplanted by Moral years ago during an incident. As a result, the people in Yokohama recover their lost Minimums thanks to Skill’s own power. Nice defeats Art and six months later they reconcile.


Film Friday – Glass Mask

Film Friday – Glass Mask

Glass Mask is a Japanese shōjo manga series written and illustrated by Suzue Miuchi, serialized in Hana to Yume from January 1976, and collected in 49 tankōbon volumes as of October 2012. The story has also been adapted into anime and a live-action television series. As of 2006, the collected volumes had 50 million copies in Japan, making it the second best-selling shōjo manga ever. The title refers poetically to the mask of faces that actors wear – while expressing emotions that are not their own, the mask they wear (their acting) is as fragile as glass. If the actors are distracted, their mask will “break” and show on stage the actors’ true feelings.


There have been several anime adaptions since the manga began its serialization. The first adaptation was a 23-episode TV series produced by Eiken in 1984 which was directed by Gisaburō Sugii with animation contributions from Shingo Araki and character designs by Atsuko Nakajima. The main voice cast featured Masako Katsuki as Maya Kitajima, Taeko Nakanishi as Chigusa Tsukikage, Minori Matsushima as Ayumi Himekawa and Nachi Nozawa as Masumi Hayami. The opening and ending theme, Garasu no Kamenand Pāpuru Raito was performed by Mariko Ashibe. This adaptation was broadcast by Nippon TV.

A three episode OVA, titled as Garasu no Kamen: Sen no Kamen wo Motsu Shōjo, was the remake of the first 3 arcs of the manga series. The OVA was released by TMS Entertainment in 1998. The voice cast from the 1984 series was not used and instead featured Megumi Ogata as Maya Kitajima, Keiko Toda as Chigusa Tsukikage, Naoko Matsui as Ayumi Himekawa and Jūrōta Kosugi as Masumi Hayami. The OVA was directed by Tsuneo Kobayashi with scripts written by Nobuaki Kishima, Tomoko Konparu and Yoshiyuki Suga as well as animation character designs by Satoshi Hirayama and Masako Gouto.

In 2005, TMS Entertainment, the company who produced the OVA began a TV series which was directed by Mamoru Hamatsu with series composition done by Toshimichi Saeki, animation character designs by Satoshi Hirayama and music composed by Tamiya Terashima. This adaptation was broadcast by TV Tokyo and there were 2 opening themes, Promise which was performed by Candy for episodes 1-26 and zero by Aiko Ikuta for episodes 27-51. There were 4 ending themes which were Yasashii Sayonara for episodes 1-13 by Aina, Step One by Sister Q for episodes 14-24, Sunao ni Narenakute by Splash Candy for episodes 27-39 and Hello Hello by Core of Soul for episodes 40-51. Like the other adaptations, the voice cast was not reused and Maya Kitajima was voiced by Sanae Kobayashi, Chigusa Tsukikage by Toshiko Fujita, Akiko Yajima as Ayumi Himekawa and Masumi Hayami was voiced by Toshiyuki Morikawa. The original voice actor for Maya Kitajima in the 1984 adaptation returned to voice Ayumi’s mother, Utako Himekawa.
The 2005 adaptation was licensed in North America by Sentai Filmworks, and distributed by Section23 Films. The first half of the season was released on DVD, on January 19, 2010; however, the second half of the season has been cancelled reportedly due to low sales.
In 2013, a 17-episode short flash series was launched by DLE. The series reimagined Maya and Ayumi as a pair of rival delinquent girls vying to become the new leader of the Crimson Goddess gang.
In 2016, a 13-episode parody version, which “re-imagines the manga and its characters in a school gag comedy focused on satirizing modern society”, and with the title 3-Nen D-Gumi Glass no Kamen, was broadcast on Tokyo MX starting on October 3.


In 2013, an animated film dubbed It’s Glass Mask But… the Movie: Female Spy’s Love! The Purple Rose Has a Dangerous Scent!? was released. Like the flash series, the film was a parody which reimagined Maya and Ayumi as a pair of students who become junior spies after their mentor, Chigusa, is kidnapped.


A live-action version adapted the first 38 volumes of the series in 1997, and continued in 1998 as “Garasu no Kamen 2.” Both productions starred Yumi Adachi as Maya Kitajima.


  • Maya Kitajima
    A talented young actress (a 13-year-old at the beginning of the story) who originally worked as a waitress in a Chinese restaurant alongside her mother. Her father died when she was a little girl and her mother, Haru (Louise in the French anime), who is mentally unstable, considers Maya useless due to Maya’s tendency to be sidetracked by anything to do with acting while in the middle of working). She is discovered by the former diva Chigusa Tsukikage and starts a promising, yet thorny acting career under the older woman’s wing. Her mother discourages her daughter from an acting career, believing that her daughter would be a laughingstock. She even refused to attend a school play Maya was in because Maya’s role was that of a pitiful and wretched minor character. So Maya gave the role more depth and sadness to a character who was originally meant to be portrayed as laughable and pathetic. Later on, Maya is given the opportunity to make a living as an actress. Tsukikage cuts off Maya’s ties with her mother, making the decision of becoming an actress. However, Maya is consistently given encouragement through an anonymous fan who sends her a bouquet of purple roses which is none other than Hayami Masumi, whom Maya shows an immense hatred towards, especially since he took malicious enjoyment in bringing down Tsukikage’s acting school. A few years later, Haru dies of Tubercolis and blindness, trautimizing Maya for many weeks. Maya’s talent for acting comes from both her natural skill and emotional personality, unlike Ayumi whose skills are more technically driven; in fact, Maya practically ‘becomes’ her characters when she plays, so brutal her training methods are and so intensely she performs. During the beginning of her training sessions, Maya has always displayed unconventional performances of the assigned tasks, such as laying on the floor to “sit on” a toppled chair. People often note how unremarkable Maya is until she takes the stage. In fact, the prodigy actress Ayumi comments that Maya knows how to captivate the audience, even though she isn’t aware of doing so. Despite having enormous potential and raw talent, Maya often doesn’t recognize her abilities. She thinks of herself as unremarkable and “useless”, as her mother constantly referred to her as, though she is compelled to pursue a career in acting because “acting is all she has”. She also harbors moments of inferiority in comparison to Ayumi, who is beautiful, talented, and rich. Despite all this, Maya doesn’t harbor any malice or ill will toward Ayumi, though Ayumi is secretly competitive toward Maya. Maya has three nicknames. One is “The Stage Storm,” referring to her innate ability to drown out other actors’ importance in a play even while in a bit part. Tsukikage refers to Maya as “the girl with a thousand masks” in tribute to her versatility whenever taking on character roles. And she is addressed as “little child” by Masumi Hayami, a diminutive nickname he’s given to her due to their broad disparity in age and height, to satirize her naivete, and eventually out of true affection.
  • Ayumi Himekawa
    Maya’s biggest rival, the honor-bound and noble Ayumi was born as the daughter of a very famous actress, Utako Himekawa (once the student of Tsukikage) and a successful director and producer, Mitsugu Himekawa, and has been touted as a prodigy from an early age. Ever since learning she got her first acting role just because of her family links, Ayumi has striven to shine on her own and never falls into arrogance. Ayumi becomes aware of Maya’s prodigious gift for acting when they first meet in a practice session; from then on she views the younger girl as a life-rival. She is ambitious enough to try to surpass her own mother, who is a widely recognized actress. People have jokingly told Utako that her daughter will steal the role of the Crimson Goddess from her. Even though Ayumi is young, she believes that she will re-vitalize the renowned role. Thus, she takes it upon herself to get as much experience as she can by trying out for any roles, including minor ones. At first, when Ayumi took on the role of Tom in The Prince and the Pauper, the children in attendance didn’t like the performance because they were used to seeing Ayumi as a beautiful young woman rather than a dirty and homely boy. Yet Ayumi soon draws the children’s favor by begging for “money” in a hat, to which the children offer her their candy. The people behind the stage were surprised that Ayumi would do such a thing, particularly since Ayumi generally would have thought such things beneath her. Her passion to become the Crimson Goddess is undeniable, however, as she continually strives for perfection to attain the role. Even though critics generally favour her over Maya, Ayumi is upset at being unable to reach the sort of emotional peaks Maya does when she performs.
  • Chigusa Tsukikage
    Maya’s mentor and a former street urchin. She once was a very talented and beloved actress, most notable for her role at the legendary play “Crimson Goddess” whose performance was so acclaimed that its author left the rights over it solely to her in his will, but she got horribly scarred in an onstage accident (a lamp lighter hit her and burned half her face off) and had to leave the acting scene, opening an acting school instead. She has very weak health and is hospitalized several times during the story. Yet she is a woman of unstoppable will, refusing to give the rights of “The Crimson Goddess” to Masumi Hayami and his father, as according to her, currently there is not an actress suitable for the main role. After finding potential in Maya, she takes her under her wing despite her mother’s objections and strives to shape her into the best actress ever, so she can contest with Ayumi for the leading role in “The Crimson Goddess”. Tsukikage understands that an actress’s face is her most important feature, and she covers Maya when Maya’s incensed mother tries to throw a kettle in her daughter’s face.
  • Masumi Hayami
    A abused stepson of the president of the Daito Entertainments, His real father died by accidentally falling off a building when he was 2 years old. He is brutally attempting to obtain the performance rights for “The Crimson Goddess” from Chigusa, efforts which ultimately lead to her acting school burned. When he sees Maya act as Beth in “Little Women” despite a high fever, he is impressed with her strong will and devotion to her acting dreams. He secretly sends her purple roses and financial support as encouragement (thus Maya refers to her anonymous fan as “The Purple Roses Man”; her friends call him Daddy Long-Legs), but acts mocking, cynical and even cruel in front of her to conceal his anonymous identity. Originally a normal, happy child, his cold exterior grew from the death of his mother, Aya, when he was a child, and his bad relationship with his stepfather Eisuke, who is responsible for the Crimson Goddess author’s death. As the manga proceeds, he becomes more and more infatuated with Maya and finally falls deeply in love with her. He doesn’t reveal either his alternate identity or his true feelings for many reasons, one of which is the belief that Maya hates him since he indirectly caused her mother’s death.


Wednesday News- October 23, 2019

Wednesday News- October 23, 2019

Funimation to Add Robotech TV Series Films to Catalog-

Dragon Ball Z: Kakarot Game’s Introduction Video Streamed-

Daily Lives of High School Boys’ Yasunobu Yamauchi Launches Fantasy Manga-

Masami Kurumada Teases ‘Special Series’ of Saint Seiya Manga-


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Manga Monday- Glass Mask

Manga Monday- Glass Mask

Glass Mask is a Japanese shōjo manga series written and illustrated by Suzue Miuchi, serialized in Hana to Yume from January 1976, and collected in 49 tankōbon volumes as of October 2012. The story has also been adapted into anime and a live-action television series. As of 2006, the collected volumes had 50 million copies in Japan, making it the second best-selling shōjo manga ever. The title refers poetically to the mask of faces that actors wear – while expressing emotions that are not their own, the mask they wear (their acting) is as fragile as glass. If the actors are distracted, their mask will “break” and show on stage the actors’ true feelings.

After not publishing a new chapter of the story for more than two years, Miuchi re-launched Glass Mask in Hakusensha’s Bessatsu Hana to Yume magazine in July 2008. Miuchi has announced that she intends to end the series soon.


Glass Mask is a saga depicting the devotion of Maya Kitajima to the performing arts as a professional stage actress, and her competition with her skilled rival, Ayumi Himekawa. They are both pursuing the degree of acting proficiency and career success required to play the lead role of the legendary stage play “The Crimson Goddess” (“Kurenai Tennyo”). Maya is not particularly beautiful or smart in school, but her passion for acting is all-consuming, to the point where she literally puts her own life on the line several times for the sake of a role. Always told by her mother that she was good for nothing, Maya wants to prove to the world and to herself that she has worth. On the other hand, everyone expects the gifted and multi-talented Ayumi to succeed, so she is determined to reach the top on her own without the help of her prestigious parents.

As the story unfolds it encompasses the tangled human relationships of many characters, including Maya’s mentor, Chigusa Tsukikage, who discovered Maya’s tremendous talent for acting during her search for a successor capable of performing the role of “The Crimson Goddess”, and Masumi Hayami, the young president of Daito, who often interacts with Maya as a crafty and cold-hearted entrepreneur, while giving her faithful support and warm encouragement in the disguise of an anonymous fan (“The Purple Rose Person”, or “murasaki no bara no hito” as Maya calls him for his trademark gift of purple roses). Hajime Onodera, a director for Daito, wants the rights to “Kurenai Tennyo,” which were given to Tsukikage by the playwright; since Tsukikage refuses to sell him the rights, Onodera tries to drive Tsukikage’s acting school out of business through a series of nefarious schemes. Since Onodera is working for Hayami, Maya (unaware that Hayami is “The Purple Rose”) hates him. Though there is an age difference of eleven years, Masumi falls in love with Maya and gives her encouragement in subtle ways.

Spinoff – The Crimson Goddess

The play within Glass Mask, the Crimson Goddess, will be adapted in 2020 as a “creative opera”.


Film Friday- Tenchi Muyo!

Film Friday- Tenchi Muyo!

Tenchi Muyo! is a Japanese anime, light novel and manga franchise. The original series began with a six-episode OVA called Tenchi Muyo! Ryo-Ohki created by Masaki Kajishima and directed by Hiroki Hayashi, and released in Japan on September 25, 1992. The series was released by Pioneer LDC in the United Kingdom in 1994. As its popularity grew, it spurred a seventh episode titled Tenchi Muyo! Special: The Night Before the Carnival (also known as the Tenchi Special) and a stand-alone Tenchi Muyo! Mihoshi Special. A second OVA series was directed by Kenichi Yatagai that was released in 1994, and a third OVA series, also directed by Yatagai, was released in 2003.

A fourth OVA series was produced in Japan, with the first collection released on November 30, 2016. The following episodes were planned to be released with an interval of three months each, and the final part of the series arrived August 30, 2017.

On July 12, 2019, it was announced that a fifth OVA series is currently in development, with Masaki Kajishima again serving as chief director and Hideki Shirane writing and overseeing scripts.

A twenty-six-episode anime television series called Tenchi Universe was released in 1995 retelling and expanding upon the original six-episode story. Tenchi in Tokyo was created in 1997, and is another alternate version of the original story. The latest version of the series called Ai Tenchi Muyo!, was broadcast on Tokyo MX in 2014.

Spin-off series of Tenchi Muyo! were also created. Magical Girl Pretty Sammy is an example that was adapted into a manga series. The franchise has also spawned soundtrack CDs and other merchandise released both in Japan and in the United States.



The first OVA was titled Tenchi Muyo! Ryo-Ohki and was created by Masaki Kajishima. The series was divided into 4 OVAs. The fourth OVA released its last episode on September 13, 2017.

TV series

After the first OVA series aired, AIC began looking into TV adaptations beyond the Mihoshi Special. In 1995 Tenchi Universe a 26-episode anime television series was created by Hiroshi Negishi, animated by AIC and produced by Pioneer. It was loosely based on the first six episodes of the OVA series and the Mihoshi Special. Two years later, another AIC production followed suit called Tenchi in Tokyo, which aired through 1997 and also ran 26 episodes. It borrowed characters and some plot devices from the previous incarnations, but with a noticeable art shift and very different concepts, such as centering on Tenchi’s high school and being a priest in Tokyo. The most recent series Ai Tenchi Muyo! aired in October 2014. The series commemorated the 20th anniversary of the franchise and was sponsored by the city of Takahashi, Okayama.


An anime film titled Tenchi the Movie: Tenchi Muyo in Love, created by Hiroshi Negishi, is a continuation of the Tenchi Universe TV series. A second film, Tenchi the Movie 2: The Daughter of Darkness, was adapted from a novel written by Naoko Hasegawa. The third film, titled Tenchi Forever! The Movie, is the sequel to Tenchi Muyo in Love and was adapted into a manga titled Tenchi Muyo! In Love 2: Eternal Memory.


Kajishima has written several books based on the franchise, including the ongoing Tenchi Muyo! GXP: Galaxy Police Transporter novel series, the novels Shin Tenchi Muyo! Jurai, Shin Tenchi Muyo! Yosho, and Shin Tenchi Muyo! Washu, and recently, the Paradise Wars spinoff. There are also a number of dōjinshi by and interviews with Kajishima, as well as a companion book, 101 Questions and Answers of Tenchi Muyo! Ryo-Oh-Ki. Naoko Hasegawa wrote a series of thirteen light novels continuing from the first OVA series, starting with “One Visitor After Another: Hexagram Of Love” in 1993.

Seven Seas Entertainment has licensed the light novels Shin Tenchi Muyo! Jurai, Shin Tenchi Muyo! Yosho, Shin Tenchi Muyo! Washu for a North American release.

Video games

Numerous video games have been released based on the franchise, such as Tenchi Muyo! Game Hen for the Super Famicom.


A radio drama was released titled Tenchi Muyo! Ryo-ohki Manatsu no Carnival.

Stage play

On AnimeJapan 2019, it was announced on AIC Rights’ booth that a stage play based on the first season of Ryo-Ohki is in development, scheduled to premiere in 2019. On May 17th, the cast and staff was announced, with Kazuhiro Igarashi writing the script and Kazuma Sato starring as Tenchi Masaki. It is scheduled to go from July 17th to the 21st on the Shinjukumura Live venue, in Tokyo.


The first Tenchi spinoff is the Magical Girl Pretty Sammy series, a magical girl series where Sasami is the lead character. The first use of Pretty Sammy was in the Tenchi Muyo! Sound File, a Japanese-only music video release. The same animation was used in the ending of the Tenchi Muyo! Mihoshi Special. In 1995, a three episode Pretty Sammy OVA series began, where Sasami, who is known as Sasami Kawai, magically becomes Pretty Sammy. The second Pretty Sammy series is a TV series, which came out in 1996, also known as Magical Project S. This series is in a separate continuity from the OVA series. Pretty Sammy also appears in the Mihoshi Special toward the end of Mihoshi’s story, and in an alternate reality sequence in the Tenchi Universe series.

Also created by Masaki Kajishima, the 1997 OVA series Photon: The Idiot Adventures is related to the Tenchi Muyo! Ryo-ohki universe, or more specifically, its recent installment, Tenchi Muyo! War on Geminar. Tenchi Muyo! War on Geminar copies a number of elements from Photon: The Idiot Adventures, such as Koros, Aho energy, having a princess named Lashara, and a young hero with such strong superhuman abilities he’s practically invincible.

The 1999 series Dual! Parallel Trouble Adventure is related to the Tenchi Muyo! Ryo-ohki universe, due to the blatant use of the “Lighthawk Wings” associated with the Jurai dynasty in Tenchi Muyo. The creator of both Dual! and Tenchi Muyo!, Masaki Kajishima, confirmed that Dual! does relate to Tenchi Muyo!, and is in fact an alternate version of the Tenchi Muyo! universe. Guardians of Order published a line of English-language Tenchi Muyo role-playing game books based on the various series in the Tenchi franchise starting in 2000.

Tenchi Muyo! GXP was released in Japan in 2001. The series takes place during the Kajishima version of the OVA continuity, and is set a year after the events of the third OVA series (despite being released first chronologically). The main character is Seina Yamada, a friend of Tenchi Masaki who accidentally joined the Galaxy Police. Many characters from Tenchi Muyo! Ryo-ohki make appearances in this series, including the use of Seiryo Tennan as a major character and a full-fledged Tenchi Muyo! crossover in episode 17.

Battle Programmer Shirase is a 2003 spin-off of the Pretty Sammy OVA and TV series, keeping the character Misao Amano from Pretty Sammy, and with the main character Akira Shirase, Misao’s great-uncle; however, it bears little in common with either Pretty Sammy series because it has neither magic, nor Sasami, nor Misao’s alter ego Pixy Misa.

Sasami: Magical Girls Club aired in Japan in 2006. The third spin-off featuring Sasami (known here as Sasami Iwakura) as the main character.

The most recent Tenchi spin-off series is called Tenchi Muyo! War on Geminar which follows the tale of Tenchi’s half-brother Kenshi Masaki as he finds himself in a foreign world that uses humanoid machines to fight their wars.